Alwynne Pritchard’s new work, Institutions of the Flesh, is a bold and immersive music-theatre work that explores the human body as a site of memory, ritual, and resistance. Created in collaboration with the Trondheim-based Alpaca Ensemble, the piece blends voice, cello, piano, and electronics in a raw and poetic meditation on love, labour, and devotion. Drawing on texts by William Blake, Heiner Müller and the composer. The work unfolds as a sonic and physical journey through the structures—both intimate and institutional—that shape our lives.