Henri Duparc (1848–1933) wrote only seventeen songs, yet they rank among the finest in French art song. Debussy and Ravel called them works of genius and perfection. Around 1885, illness brought an end to Duparc's composing career. His Baudelaire setting of L'invitation au voyage is often called the quintessential French mélodie. It ranks alongside treasures such as Phidylé, Chanson triste, Soupir and La vie antérieure. Invitation gathers all seventeen songs on one album. The two singers share the songs and unite in La fuite, Duparc's only duet.