• PTY269189 Katalognummer
  • 3760213651723 EAN
  • 1CD Format
  • 2020 Utgivelsesår

Brescia, Marco (organ)

Zipoli, Domenico




Domenico Zipoli:

Sonate d'Intavolatura per Organo e Cimbalo, Op. 1:
I. Toccata in Re Minore
II. Verso I in Re Minore
III. Verso II in Re Minore
IV. Verso III in Re Minore
V. Verso IV in Re Minore
VI. Canzona in Re Minore
VII. All'Elevazione in Do Maggiore
VIII. All'Offertorio in Do Maggiore
IX. Verso I in Do Maggiore
X. Verso II in Do Maggiore
XI. Verso III in Do Maggiore
XII. Verso IV in Do Maggiore
XIII. Canzona in Do Maggiore
XIV. All'Elevazione in Fa Maggiore
XV. Al Post Comunio in Fa Maggiore
XVI. Verso I in Fa Maggiore
XVII. Verso II in Fa Maggiore
XVIII. Verso III in Fa Maggiore
XIX. Verso IV in Fa Maggiore
XX. Canzona in Fa Maggiore
XXI. Pastorale in Do Maggiore
XXII. Verso I in Mi Minore
XXIII. Verso II in Mi Minore
XXIV. Verso III in Mi Minore
XXV. Verso IV in Mi Minore
XXVI. Canzona in Mi Minore
XXVII. Verso I in Sol Minore
XXVIII. Verso II in Sol Minore
XXIX. Verso III in Sol Minore
XXX. Verso IV in Sol Minore
XXXI. Canzona in Sol Minore

Manuscript, Sones mo organo, San Rafael de Velasco, Bolivia:
Obra de I tono
Retirada del Emperador de los dominios de España

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The present album—the first recording made on the historic organ Almeida e Silva of Diamantina (1787), state of Minas Gerais, Brazil—consists of the complete organ works published by Domenico Zipoli (Prato, Italy, 1688 – Córdoba, Argentina, 1726) in his Sonate d’Involatura per Organo e Cimbalo (Rome, 1716), besides some works attributed to the composer from the manuscript Sones mo organo (1746), a miscellany of keyboard works from the Jesuit mission of San Rafael de Velasco, Bolivia. The Chiquitos’ works selected for the present recording were very likely disseminated by priest Martin Schmid. Even if not effectively composed by Zipoli, they do reveal a clear stylistic influence of the composer who passed away in the Córdoba missions, where Schmid was in 1729 before leading to the Chiquitanía. The repertoire presented in this album follows a historically informed approach seeking a commitment between the performance traditions from Italy and Spain of the first half of the 18th century, using for this purpose an 18th century sound source of autochthone Brazilian construction, of which the aesthetical characteristics led to a conscious performance of a Zipoli with a pronounced Ibero-American accent.


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Zipoli in Diamantina - Complete Organ Works <span>-</span> Brescia, Marco (organ) Zipoli in Diamantina - Complete Organ Works Brescia, Marco (organ)

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