• SM283 Katalognummer
  • 4260123642839 EAN
  • 5CD Format
  • 2020 Utgivelsesår

Artist
Casal Quartett

Komponist
Beethoven, Ludwig van | Boccherini, Luigi | Czerny, Carl | Donizetti, Gaetano | Gyrowetz, Adalbert | Hansel, Peter | Haydn, Joseph | Mendelssohn, Felix | Schubert, Franz | Schumann, Robert

Ensemble
Casal Quartett

Sjanger
Kammermusikk

Plateselskap
Solo Musica

Verk

Adalbert Gyrowetz:
String Quartet in D Major, Op. 21 No. 3:
I. Allegro
II. Adagio
III. Menuetto. Allegro
IV. Allegro

Joseph Haydn:
String Quartet No. 1 in G Major, Op. 77 No. 1, Hob. III:81 "Lobkowitz":
I. Allegro moderato
II. Adagio
III. Menuetto. Presto
IV. Finale. Presto

Ludwig van Beethoven:
String Quartet No. 1 in F major, Op. 18 No. 1:
I. Allegro con brio
II. Adagio affettuoso ed appasionato
III. Scherzo. Allegro molto
IV. Allegro

Luigi Boccherini:
String Quartet No. 90 in F Major, Op. 64 No. 1, G. 248:
I. Allegro molto
II. Adagio non tanto
III. Allegro vivo

Peter Hansel:
String Quartet in C Major, Op. 20 No. 3:
I. Allegro con brio
II. Adagio ma non troppo
III. Polonaise
IV. Finale. Allegro molto

Ludwig van Beethoven:
String Quartet No. 9, Op. 59 No. 3 "Rasumowsky":
I. Introduzione. Andante con moto - Allegro vivace
II. Andante con moto quasi allegretto
III. Minuet. Grazioso
IV. Allegro molto

Gaetano Donizetti:
String Quartet No. 17 in D Major, A. 481:
I. Allegro
II. Larghetto
III. Minuetto. Presto
IV. Allegro

Ludwig van Beethoven:
String Quartet No. 16 in F major, Op. 135:
I. Allegretto
II. Vivace
III. Lento assai, cantante e tranquillo
IV. Grave, ma non troppo tratto - Allegro

Franz Schubert:
String Quartet No. 14 in D minor, D810 'Death and the Maiden':
I. Allegro
II. Andante con moto
III. Scherzo. Allegro molto
IV. Presto

Felix Mendelssohn:
String Quartet No. 2 in A minor, Op. 13:
I. Adagio - Allegro vivace
II. Adagio non lento
III. Intermezzo. Allegretto con moto - Allegro di molto
IV. Presto - Adagio non lento

Robert Schumann:
String Quartet No. 3 in A major, Op. 41 No. 3
I. Andante espressivo - Allegro molto moderato
II. Assai agitato
III. Adagio molto
IV. Finale. Allegro molto vivace

Carl Czerny:
String Quartet No. 28 in A-Flat Major:
I. Allegro non troppo
II. Andante sostenuto ed espressivo
III. Scherzo. Molto vivace
IV. Allegro con anima
Track length6:34

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Produktbeskrivelse

Throughout history, the cultural legacy of some geniuses has been of such universal magnitude that its aftermath has spread far beyond the narrow confines of the actual field of their activity. In a study of the University of Cambridge, which is dedicated to the ranking of the 100 most important, most influential personalities in history, Ludwig van Beethoven is ranked 27th; Napoleon Bonaparte (1769 - 1821, rank 2), that brilliant commander and statesman a year older than Beethoven. While the French Revolution and its later emperor influenced contemporary artists, Napoleon himself, did not care a bit about music. In the same way that his military campaigns of that time have continued to have an effect to the present day, Beethoven changed the face of music forever. In his fundamentally new conception of the art of sound based on the Viennese Classicism, everything that was created in composition by him at the time outshone even those, who did not know Beethoven and his music despite his later popularity. While the pianist Beethoven caused a furor and was admired at a young age, his works caused astonishment and confusion from the very beginning, and often met with frowning criticism. Of course, there were also other, more positive voices. While Beethoven was at the height of his career in the middle phase of his life until about 1815, in recent years, the resentments against his misunderstood late style and the supposedly increasing oddness of its author grew. Nonetheless, the respect shown to him by the international music community increased until the end of his life, culminating in a funeral that the city had never seen before. The casalQuartett‘s five-part Concert & album project explores the phenomenon of Beethoven’s impact on his time, or, conversely, how other musicians influenced him.

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