• ELQ4805584 Katalognummer
  • 028948055845 EAN
  • 2CD Format
  • 2013 Utgivelsesår

Artist
Christopher Hogwood (Harpsichord) | Director

Medvirkende
Judith Nelson (soprano) | Christophe Coin (bass viol) | Monica Huggett (violin)

Ensemble
The Academy of Ancient Music

Verk

Musique pour la Chambre du Roy

Couperin, F: Les Nations: Suite de Simphonie en Trio
Les Nations: Premier Ordre 'La Françoise'
Airs sérieux

Forqueray, J-B: Harpsichord Suite No. 1 in D minor

Leclair, J-M: Violin Sonata in D major, Op. 9 No. 6

Marais, M: Sonnerie de Sainte Geneviève du Mont de Paris
Suite in F major
Pieces de viole, 5me livre: Le Tableau de L'Operation de la Taille

Monteclair: Pan et Syrinx
Le Triomfe de la Constance

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Produktbeskrivelse

One of the key recordings ever to be made of French court music, this seminal recording returns to the catalogue, now with each item and/or movement individually indexed. The offerings encompass both suites and cantatas. The music – written both for and around the court life of Versailles (1697 – 1747) is sophisticated and elegant taking us from the post-Lully era, to the final examples of great French baroque chamber music, that of Leclair. The collection is notable for the pure, unsullied voice of the late Judith Nelson (a long-time collaborator with the Academy of Ancient Music) and cellist Christophe Coin’s narration in the slightly grisly account of the description of an operation to remove a gall-stone! The booklet includes the original note, texts and translations of the vocal items, and Christopher Hogwood’s own newly-written introduction for this reissue.

“[Judith Nelson’s] performance of both the cantatas is full of warmth and expression […] Christophe Coin gives a many-shaded account of Marais’s La sonnerie […] Monica Huggett gives us a really splendid performance [of the Leclair], savouring the harmonies of the double-stopping seemingly without a care in the world. […] Fine playing and a fine, reverberant recording which captures every detail of the instruments’ character make this a notable release. There is much repertoire here which is, furthermore, new to the catalogue.” Gramophone

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