• CDA67979 Katalognummer
  • 034571179797 EAN
  • 1CD Format
  • 2014 Utgivelsesår

Coote, Alice (mezzosoprano) | The English Concert | Bicket, Harry

Bicket, Harry

Handel, George Frideric

The English Concert



Handel: Quando mai (from Radamisto)
Handel: Mi lusinga il dolce affetto (from Alcina)
Handel: Verdi prati (from Alcina)
Handel: Sta nell'Ircana pietrosa tana (from Alcina)
Handel: Hercules: Cease, ruler of the day, to rise
Handel: Hercules: There in myrtle shades
Handel: Where shall I fly? (from Hercules)
Handel: Cara speme (from Giulio Cesare)
Handel: Con l'ali di costanza (from Ariodante)
Handel: Scherza, infida (from Ariodante)
Handel: Dopo notte (from Ariodante)

Brown, Mark

Millard, Julian


Opera November 2014 Recording of the Month

Hyperion is delighted to present a tour de force from the supreme mezzo-soprano of today, Alice Coote, accompanied by The English Concert and Harry Bicket, making their Hyperion debut. Coote performs a selection of Handel’s greatest arias from opera and oratorio, employing an extraordinary range of vocal and dramatic colour, tone and emotion to produce triumphant and moving interpretations of these masterpieces.

Every piece is a highlight. Handel’s Italian operas are represented by his first two Covent Garden operas, Alcina and the great tragedy Ariodante, and also Radamisto and Giulio Cesare in Egitto (perhaps Handel’s most popular opera today). Handel’s English oratorio Hercules contains music of utter beauty. Written to a libretto by Thomas Broughton based on Sophocles’ Trachiniae, it is a drama of sombre magnificence. At its centre is the tragic figure of Hercules’ wife Dejanira, a role to rival Saul as a study in the corrosive power of jealousy. Little is known about the ‘Miss Robinson’ who created the part. But the music that Handel wrote for her suggests that she must have been a fine singing actress. Alice Coote’s powers in this direction are unrivalled today.

The wealth of virtues in Coote's recital include her intuitive sense of apposite, well-proportioned ornamentation and a sure feeling for just tempo...Occasionally I found her vibrato and vocal portamentos a little intrusive. But expressive singing with eloquent instrumental partnership make for a rewarding encounter. BBC ****

Coote and The English Concert remind us in no uncertain terms that these characters and scenes rank among Handel's supreme achievements as a dramatist...'Scherza infida' is sung with a breathtaking sincerity that puts Coote's interpretation right up there with Janet Baker and Lorraine Hunt for its emotional intelligence. Gramophone

So vividly imagined are Coote and Bicket’s interpretations of the 11 arias in their recording that it is like hearing in colour after a lifetime of black and white. Opera


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Handel: Arias <span>-</span> Coote, Alice (mezzosoprano) / The English Concert / Bicket, Harry Handel: Arias Coote, Alice (mezzosoprano) / The English Concert / Bicket, Harry

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