Far from being a treatment of the usual Latin, the Requiem of the New York-based Arnold Rosner (1945–2013) sets spiritual and secular texts on death from a number of the world’s cultures, including Whitman, Villon, the Tibetan Book of the Dead, a sutra from Zen Buddhism and the Jewish Kaddish. The work of a young man (Rosner was 28 when he wrote it), this Requiem is both monumental and wildly energetic – but it also encompasses passages of transcendent beauty. His musical language clothes the modal harmony and rhythm of pre-Baroque polyphony in rich Romantic colors, producing a style that is instantly recognizable and immediately appealing. Some of the music was first written for an aborted operatic treatment of Ingmar Bergman’s film The Seventh Seal, where the main character plays chess with Death; in like spirit, Rosner’s Requiem is a major statement of human defiance in the face of mortality, even if its gentle closing pages bring uneasy acceptance.
BBC Music Magazine December 2020
Arnold Rosner’s 1970s Requiem is a massive work, drawing on multiple secular and religious texts. It’s an intense experience, but certainly not without its emotional rewards. ***
Fanfare November 2020
This is nothing less than an extraordinary musical accomplishment, written by a composer who at its composition had yet to hear a polished performance of any of his orchestral works.
MusicWeb International October 2020
Rosner’s Requiem is a work notable for the juxtaposition of a wide range of expressive extremes, but also for delicacy and an imaginative use of instrumental colours...The orchestra plays very well and the chorus is committed. The male soloists are fine and Toccata are to be warmly congratulated for the recording quality and their production of this very fine CD.