Variations on the name “Abegg” Op. 1 was written by the 20-year-old Schumann in 1830 and dedicated to the fictitious “Countess Pauline von Abegg”, whose last name provided Schumann with the theme for his variations – A, B-flat, E, and double G.

In this, his first work to be published under an opus number, Schumann shows his propensity for mystification and his interest in exploring the notational (musical) representation of the names of people and places that were important to him. The Abegg Variations follows a well-established type of virtuosic piano work designed to show off the technical ability of the performer for the delight and amusement of a knowledgeable and sophisticated public.

Papillons comprises eleven seemingly unrelated parts and a grand finale that brings back the main tune (a waltz) of the opening piece, creating an arch that binds the set together. Like a phantasmagorical theatrical vision, the parts follow each other in a rapid succession, each having its own special character, texture, purpose, and expressiveness.

Davidsbündlertänze (“Dances of the League of David”) Op. 6 was written in 1836. It includes 18 pieces grouped in two volumes of 9 pieces each. One of the most complex and sophisticated of Schumann’s works, it vividly articulates his essential creative principles, imagination, and unique approach to composing. It is a real artistic manifesto, a self-portrait of the artist.

VLADIMIR FELTSMAN
Pianist and conductor Vladimir Feltsman is one of the most versatile and constantly interesting musicians of our time. His vast repertoire encompasses music from the Baroque to 20th-century composers. A regular guest soloist with leading symphony orchestras in the United States and abroad, he appears in the most prestigious concert series and music festivals all over the world.