• ELQ4829034 Katalognummer
  • 0002894829034 EAN
  • 5CD Format
  • 2019 Utgivelsesår

Fergus-Thompson, Gordon

Scriabin, Alexander



CD 1
1 Étude, Op. 2 No. 1
2-9 Eight Études, Op. 42
10 Piano Sonata No. 4
11 Piano Sonata No. 5
12 Piano Sonata No. 9
13 Piano Sonata No. 10

CD 2
1-2 Two Nocturnes, Op. 5
3-4 Piano Sonata No. 2
5-8 Piano Sonata No. 3
9-20 Twelve Études, Op. 8

CD 3
1 Prelude, Op. 2 No. 2
2 Prelude, Op. 9 No. 1
3-26 24 Preludes, Op. 11
27-32 Six Preludes, Op. 13
33-37 Five Preludes, Op. 15
38-42 Five Preludes, Op. 16
43-49 Seven Preludes, Op. 17

CD 4
1-10 Ten Mazurkas, Op. 3
11-19 Nine Mazurkas, Op. 25
20-21 Two Mazurkas, Op. 3

CD 5
1-4 Four Preludes, Op. 22
5-6 Two Preludes, Op. 27
7-10 Four Preludes, Op. 31
11-14 Four Preludes, Op. 33
15-17 Three Preludes, Op. 35
18-21 Four Preludes, Op. 37
22-25 Four Preludes, Op. 39
26 Prelude, Op. 45 No. 2
27-30 Four Preludes, Op. 48
31 Prelude, Op. 49 No. 2
32 Prelude, Op. 51 No. 2
33 Prelude, Op. 56 No. 1
34 Prelude, Op. 59 No. 2
35-36 Two Preludes, Op. 67
37-41 Five Preludes, Op. 74
42-43 Two Pieces, Op. 57
44 Impromptu à la Mazur
45-46 Two Impromptus à la Mazur, Op. 7
47-48 Two Impromptus, Op. 10

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Over the course of the 1990s, the Scottish pianist Gordon Fergus-Thompson recorded five albums of Scriabin on the ASV label. Long unavailable, they are compiled and reissued here for the first time complete with original booklet essays by Bryce Morrison.

Interviewed in 1995, at roughly the halfway point of the series, Fergus-Thompson remarked that he found ‘an
essential continuity in Scriabin’s language. There’s a special sort of logic in the progress from the First to the Tenth
Sonata. Scriabin was a new, entirely original kind of composer/pianist and even in his earliest works his flightiness and volatility are paramount. It’s an extraordinary experience playing and recording this music, alternately exhilarating and unnerving.’

Renowned both for his Debussy and his Rachmaninov, Fergus-Thompson is thus ideally equipped to elucidate the
transient, haunted world of Scriabin. His playing strikes a balance between precision and spontaneity, between
intellect and emotion. He faithfully mirrors the development of Scriabin’s style as it departs from the sideways
romance of the Op. 3 Mazurkas and becomes increasingly fragmented, full of tensions abruptly set up and terminated.

At the point where the series itself was terminated in 2001, Fergus-Thompson had recorded the complete Etudes,
Preludes and many other shorter pieces as well as six of the ten sonatas (Nos. 2-5, 9 and 10). Throughout the series, critics noted his refined tonal elegance, fully conveyed by the spacious and detailed ASV recording, and his innate feeling for Scriabin’s superfine intricacy and exotically perfumed harmonies in the later music.

‘Gordon Fergus-Thompson clearly has his hands on the nerve centers of this music, and he has here given an all-too-brief collection of revelatory performances.’ Fanfare (CD1)

‘Fergus-Thompson’s playing is very fine indeed, particularly in the more fiery movements of the Third Sonata, cleanly articulated but still warm and atmospheric. The sound is ideal.’ BBC Music Magazine (CD2)

‘For those who wish to savour Scriabin’s often bewildering changeability without having their emotions torn to shreds, Fergus-Thompson is uniquely spellbinding in this repertoire.’ International Piano (CD3)

‘The elusive character of these fascinating and neglected works could hardly be presented more vividly and
insinuatingly than by Fergus-Thompson.’ Gramophone, June 2000 (CD4)


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