• SIGCD589 Katalognummer
  • 635212058923 EAN
  • 2CD Format
  • 2019 Utgivelsesår

Artist
Gabrieli Players | McCreesh, Paul

Dirigent
McCreesh, Paul

Medvirkende
Sampson, Carolyn (soprano) | Riches, Ashley (bass-baritone) | Lawson, Mhairi (soprano) | Williams, Roderick (baritone) | Budd, Jeremy (high tenor) | Pierce, Rowan (soprano) | Way, James (tenor) | Dennis, Anna (soprano)

Komponist
Purcell, Henry

Ensemble
Gabrieli Players

Plateselskap
Signum

Verk

Purcell, Henry: King Arthur, Z628

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Produktbeskrivelse

BBC Music Magazine Awards 2020 Finalist - Opera
Gramophone Magazine November 2019 Recording of the Month
Opera February 2020 Disc of the Month

The great patriotic opera of the 17th century, recorded here in a lively new performing edition after two decades in the Gabrieli’s touring repertoire. Notoriously difficult to present on disc or in concert, this version presented by Gabrieli was created to allow an obvious musical narrative, despite Purcell’s music often being completely dislocated from much of the original theatre context.

Gabrieli have been performing the music from King Arthur for nearly a quarter of a century, evolving their interpretation over time. With the score having to be pieced together using separate versions (due to Purcell’s originals being lost), and with Gabrieli’s evolved interpretation of the music, the end product of this recording is truly unique. Their next release on Signum will be with the semi-opera by Purcell, Fairy Queen, in April next year, which is an adaptation of A Midsummer Nights Dream.

Choruses are more vibrant, dance rhythms more percussive and solos more delicate than in any previous recording. Above all, McCreesh and his artists make us hear Purcell’s genius for word-setting…But the chief delight of this recording is its consort aesthetic: rather than elbowing forward through virtuosity, the artists exert themselves to work as a collective…another jewel in McCreesh’s crown. BBC *****

The eight soloists with two additional singers form an excellent chorus that is adept in every context...Throughout the opera McCreesh’s speeds are relaxed rather than driven – no bad thing, to my mind, and it results in Dryden’s wonderful poetry being acted with personable clarity, and the lucidity of musical gestures ensures that affection and intimacy are the hallmarks of a performance that conveys a humane smile. Gramophone

[McCreesh] gives us a performance benefitting from years of living with and thinking about the work, constantly evolving his approach to it. The result tempts only superlatives, for the new recording is as accomplished and richly satisfying an experience as anyone could hope for… There is to my mind not the slightest doubt that this truly accomplished achievement is destined to become the reference recording for what is one of Purcell’s finest works. Opera

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