• ALPHA589 Katalognummer
  • 3760014195891 EAN
  • 1CD Format
  • 2020 Utgivelsesår

Artist
Gens, Veronique

Komponist
Berlioz, Hector | Chausson, Ernest | Fauré, Gabriel | Hahn, Reynaldo | Lekeu, Guillaume | Liszt, Ferencz | Massenet, Jules | Messager, André | Ropartz, Joseph Guy | Saint-Saëns, Charles | Tombelle, Fernand de la | Widor, Charles-Marie | Louiguy, Marcel

Ensemble
I Giardini

Sjanger
Vokal

Plateselskap
Alpha

Verk

Lekeu, Guillaume: Trois poèmes: 3. Nocturne
Fauré, Gabriel: La Lune blanche luit dans les bois (No. 3 from La Bonne Chanson, Op. 61)
Berlioz, Hector: Les nuits d'été, H 81: VI. L'île inconnue
Tombelle, Fernand de la: Orientale
Massenet, Jules: Nuit d'Espagne
Saint-Saëns, Camille: Désir de l'Orient
Chausson, Ernest: Chanson perpétuelle, Op. 37
Liszt, Franz: La lugubre gondola, pour violoncelle et piano, S. 134
Ropartz, Joseph Guy: Quatre poèmes: Ceux qui, parmi les morts d'amour
Fauré, Gabriel: Après un rêve, Op. 7 No. 1
Widor, Charles-Marie: Quintette avec piano No. 14 en ré mineur, Op. 7: III. Molto vivace
Louiguy, Marcel: La vie en rose
Messager, André: L'Amour masque: 'J'ai deux amants'
Hahn, Reynaldo: Une revue: La dernière valse

Produktbeskrivelse

As the symbiosis between the art of the poet and that of the composer, the French melodie became the jewel of the salons of the ?Belle epoque?. By placing a string quartet and a piano around the singer, Chausson?s Chanson perpetuelle, Lekeu?s Nocturne and Faure?s La Bonne Chanson oscillate between chamber musical intimacy and orchestral ambition. Alongside these famous pioneering pieces, this programme devised by the Palazzetto Bru Zane champions a return to the art of transcription, so popular in the nineteenth century, with the aim of expanding the repertory for voice, strings and piano in order to unearth some forgotten treasures. Hence Hahn, Berlioz, Saint-Saens, Massenet, La Tombelle, Ropartz, Louiguy and Messager all appear in a programme whose guiding thread is the emotions of nocturnal abandonment: the charms of twilight, the trajectory of dreams, the terror of nightmare or the exhilaration of festive occasions. Alexandre Dratwicki has made these arrangements in the style of the nineteenth century. Appropriately enough, the programme ends with La Vie en rose, for this music offers a kaleidoscope of all the colors of human feeling. The texture of solo strings and piano sets Veronique Gens?s incomparable storytelling artistry in a new light.

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Nuits <span>-</span> Gens, Veronique (soprano) / I Giardini Nuits Gens, Veronique (soprano) / I Giardini

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