• ELQ4820262 Katalognummer
  • 028948202621 EAN
  • CD Format
  • 2016 Utgivelsesår

Artist
Gueden, Hilde

Medvirkende
Erede, Alberto | Moralt, Rudolf | Krips, Josef | Loibner, Wilhelm

Komponist
Kalman, Emmerich | Verdi, Giuseppe | Strauss, Richard | Puccini, Giacomo | Millöcker, Carl | Lehár, Franz

Ensemble
Orchestra dell’Accademia Nazionale di Santa Cecilia Roma | Wiener Philharmoniker | London Symphony Orchestra | Wiener Staatsopernchor | Wiener Staatsopernorchester

Plateselskap
Eloquence

Verk

Hilde Gueden: The Early Years:

Kalman, Emmerich:
Gräfin Mariza: Medley - Wiener Staatsopernchor & Wiener Staatsopernorchester, Wilhelm Loibner
Die Csárdásfürstin: Medley - Wiener Staatsopernchor & Wiener Staatsopernorchester, Wilhelm Loibner
Paganini: Medley - Wiener Staatsopernchor & Wiener Staatsopernorchester, Wilhelm Loibner

Lehár, Franz:
Schön wie die blaue Sommernacht (from Giuditta) - Wiener Staatsopernchor & Wiener Staatsopernorchester, Wilhelm Loibner
Wer hat die Liebe uns ins Herz gesenkt (from Das Land des Lächelns) - Wiener Staatsopernchor & Wiener Staatsopernorchester, Wilhelm Loibner
Ich möcht wieder einmal die Heimat sehn (from Das Land des Lächelns) - Wiener Staatsopernchor & Wiener Staatsopernorchester, Wilhelm Loibner
Meine Lippen sie Kussen so heiss (from Giuditta) - Wiener Staatsopernchor & Wiener Staatsopernorchester, Wilhelm Loibner

Millöcker, Carl:
Ich habe Liebe schon genossen...Ich schenk' mein Herz (from Die Dubarry) - Wiener Staatsopernchor & Wiener Staatsopernorchester, Wilhelm Loibner

Puccini, Giacomo:
O mio babbino caro (from Gianni Schicchi) - Orchestra dell’Accademia Nazionale di Santa Cecilia, Roma, Alberto Erede
Signore, ascolta! (from Turandot) - Orchestra dell’Accademia Nazionale di Santa Cecilia, Roma, Alberto Erede
Tu che di gel sei cinta (from Turandot) - Orchestra dell’Accademia Nazionale di Santa Cecilia, Roma, Alberto Erede
Si, mi chiamano Mimi (from La Bohème) - London Symphony Orchestra, Josef Krips
Quando me'n vo (from La Bohème) - London Symphony Orchestra, Josef Krips
Donde lieta usci (from La Bohème) - London Symphony Orchestra, Josef Krips
O mio babbino caro (from Gianni Schicchi) - London Symphony Orchestra, Josef Krips

Strauss, Richard:
Er ist der Richtige nicht für mich … Aber der Richtige, wenn's einen gibt für mich (from Arabella)
Wiener Philharmoniker, Rudolf Moralt

Verdi, Giuseppe:
Caro nome (from Rigoletto) - Wiener Philharmoniker, Clemens Krauss
Tutte le feste (from Rigoletto) - Wiener Philharmoniker, Clemens Krauss
È strano! è strano!...Ah! fors è lui (from La traviata) - Orchestra dell’Accademia Nazionale di Santa Cecilia, Roma, Alberto Erede
Sul fil d'un soffio etesio (from Falstaff) - Orchestra dell’Accademia Nazionale di Santa Cecilia, Roma, Alberto Erede

 

Produktbeskrivelse

Gifted with great beauty and a natural stage presence, Hilde Gueden was unfailingly easy on the ear as well as the eye. With her creamy tone and ability to spin the silvery upper-register sonority needed for her Strauss roles, she was a natural successor to Elisabeth Schumann, Lotte Schöne and Adele Kern. Fortunately for posterity, she recorded prolifically, starting in 1942 with Musetta in German for Berlin Radio. In the LP era she worked mainly for Decca, taking part in many opera and operetta sets. Hilde Gueden belonged to a generation of artists who lost some of their best years to World War II. When her career got properly under way in 1946, she was almost 30. Thus, although this recital is rightly headed ‘The Early Years’, because it consists entirely of recordings from her first sequence of sessions for Decca, there is nothing unformed or inchoate about the artistry it enshrines. When Gueden’s chance finally came, she was fully prepared; and although, like all the best singers, she never stopped learning, she was already a polished vocalist and a first-rate interpreter.

Recorded in London in 1947 and 1949, in Vienna between 1951 and 1952, and in Rome in 1954, this disc showcases the artistry of Gueden in both operetta and opera, from Lehár and Kálmán to Puccini, Verdi and Richard Strauss. In the latter she is joined by Lisa Della Casa and in a sample of her poised, controlled singing –¬¬ the Act I duet between the sisters in Arabella – Gueden makes the ideal foil to Della Casa. There was apparently no love lost between the two prima donnas in real life, but on stage they often collaborated effectively, and their duet here is nothing short of wondrous.

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