After an acclaimed disc of Johann Ludwig Bach, Hans-Christoph Rademann continues his fascinating exploration of the most famous musical dynasty. Born in 1735, the ‘London Bach’ was the youngest of Johann Sebastian’s sons. He seems to have remained in his father’s shadow until the age of 19, when he had the chance to travel to Italy, very likely to receive guidance from the celebrated Padre Martini, as his (future) friend Mozart was to do some years later. It was in Milan that he wrote the two works recorded here, including an incredible Requiem with a completely unexpected formal design; in matters of style, however, the 22-year-old composer had already laid the foundations of all his later output.

  • HMC902098 Katalognummer
  • 3149020209820 EAN
  • CD Format
  • 2011 Utgivelsesår

After an acclaimed disc of Johann Ludwig Bach, Hans-Christoph Rademann continues his fascinating exploration of the most famous musical dynasty. Born in 1735, the ‘London Bach’ was the youngest of Johann Sebastian’s sons. He seems to have remained in his father’s shadow until the age of 19, when he had the chance to travel to Italy, very likely to receive guidance from the celebrated Padre Martini, as his (future) friend Mozart was to do some years later. It was in Milan that he wrote the two works recorded here, including an incredible Requiem with a completely unexpected formal design; in matters of style, however, the 22-year-old composer had already laid the foundations of all his later output.

Artist
Rias Kammerchor | Akademie für Alte Musik Berlin | Rademann, Hans-Christoph

Komponist
Bach, Johann Christian

Plateselskap
Harmonia Mundi

Verk

Requiem

Introitus & Kyrie F-Dur / Fa majeur / F major (T 208/5)

1I. Introitus. Requiem aeternam. II. Kyrie 5'31

Dies irae c-Moll / ut mineur / C minor (T 202/4)

2III. Sequenz. 1. Coro. Dies irae 3'00

32. Aria (B). Quantus tremor 3'18

43. Aria (S). Tuba mirum 3'18

54. Coro. Mors stupebit 2'42

65. Aria (A). Quid sum miser 2'28

76. Terzetto (S, A, B). Rex tremendae 2'18

87. Coro. Juste judex ultionis 2'12

98. Aria (T). Ingemisco 3'43

109. Duetto (A, T). Qui Mariam absolvisti 4'24

1110. Quartetto. Confutatis maledictis 1'53

1211. Aria (A). Oro supplex 1'57

1312. Coro. Lacrimosa 5'49

Miserere B-Dur / Si bémol majeur / B flat major (T 207/5)

141. Coro. Miserere mei Deus 3'20

152. Aria (T). Et secundum multitudinem 3'43

163. Coro. Tibi soli peccavi 3'56

174. Duetto (A, T). Asperges me hyssopo 3'46

185. Aria (S). Cor mundum 4'49

196. Coro. Docebo iniquos vias tuas 1'40

207. Terzetto (S, A, B). Libera me 3'50

218. Aria (A). Sacrificium Deo 4'31

229. Coro. Tunc acceptabis 2'24

 

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