Venezia Millenaria (Venice 700-1797) (2SACD+Book) - Le Concert des Nations / Hespèrion XXI / La Capella Reial de Catalunya / Ensemble Panagiotis Neochoritis / Savall, Jordi | lawostore.no - din nettbutikk for klassisk musikk!

Venezia Millenaria (Venice 700-1797) (2SACD+Book) <span>-</span> Le Concert des Nations / Hespèrion XXI / La Capella Reial de Catalunya / Ensemble Panagiotis Neochoritis / Savall, Jordi

AVSA9925 Katalognummer
9788494631115 EAN
2SACD+Bok Format
2018 Utgivelsesår

Artist
Le Concert des Nations | Hespèrion XXI | La Capella Reial de Catalunya | Ensemble Panagiotis Neochoritis | Savall, Jordi

Dirigent
Savall, Jordi

Medvirkende
Zanasi, Furio | Sarikouyoumdjian, Haïg | Elmaleh, Lior | Vilamajó, Luis | Bayodi-Hirt, Hanna

Ensemble
Le Concert des Nations | Hespèrion XXI | La Capella Reial de Catalunya | Ensemble Panagiotis Neochoritis

Sjanger
Klassisk

Plateselskap
Alia Vox

Verk

trad.: Fanfare (Instrumental d’après une mélodie du siècle VIII)
Ioannis Damaskinos: Alléluia (Choral byzantin)
anon.: Halatzoglou kratema (Instrumental byzantin)
trad.: Chanson de Croisade: Pax in nomine Domini – Marcabru (1100-1150)
anon.: Danse de l’âme (Afrique du Nord) [Instrumental] [Tradition Berbère]
trad.: Hymne pour les services des Matins
trad.: Chanson & Danse arménienne (XIIIe siècle)
trad.: Conductus: O totus Asie Gloria, Regis Alexandria Filia (XIIIe siècle)
anon.: Istampitta: Saltarello (mss. XIVe siècle)
Ioannis Damaskinos: Pásan tin elpida mu
anon.: Chiave, chiave (Instrumental) [Début du XVe siècle]
anon.: Adoramus te (Chansonnier du XVe siècle)
anon.: Hirmos Calophonique: Tin Déisin mu (XVe siècle)
trad.: Marche Ottomane Nikriz peşrev – Ali Ufki Bey
Dufay: Lamentio Sanctae Matris Ecclesiae Constantinopolitanae
Janequin: La Guerre: La Bataille de Marignan
trad.: Cantique des Cantiques (3,1-4): Qamti be-Ishon Layla
Willaert: Villanesca alla napolitana: Vecchie letrose
Dimitrie Cantemir: Der makām-ı Uzzäl Sakîl (Instrumental ottoman)
Brudieu: Madrigal: Oíd, oíd... [...las buenas nuevas de Lepanto]
Goudimel: Psaumes de David. Ficht wider meine Anfechter (Psaume 35)
Ioannis Kladas: Géfsasthe ke idete
trad.: Sousta (Instrumental) [Danse de Chypre]
Gabrieli, A: Ricercar del settimo tuono
Michael Chatziathanasiou: Hymne de la Sainte Eucharistie (En slave)
anon.: Laïla Djân (Instrumental) [Danse Perse]
Rossi, S: Psaume 137, (1-6): ’Al nàhärót bavél
Monteverdi: Il combattimento di Tancredi e Clorinda, SV 153
Rosenmüller: Sinfonia Seconda
Tanburi Angeli: Der Makām-i-Rehavi Çember-i-Koca (Marche ottomane)
Vivaldi: La Senna festeggiante, RV 693: Di queste selve venite, o Numi
Savall, J: Alla turca (Allegretto) [D’après la Sonate No. 11 en La Majeur, K. 331 de Mozart]
anon.: Deo gratias (Hymne Orthodoxe Russe du XVIè siècle)
trad.: Chanson Constitutionnelle Nous sommes tous égaux
Hasse, J A: Canzonette veneziane da battello. Raccolta di gondoliere: Per quel bel viso - Mia cara Anzoletta
Luigi Bordèse: La Sainte Ligue (La nuit est sombre) [D'après les Symphonies No. 5 et No. 7 de Beethoven]

Produktbeskrivelse

Gramophone Magazine April 2018 Editor`s Choice

Over 1,000 years, from the Byzantine Empire to the Napoleonic Wars, Venice played a key role in shaping the Western music.

Jordi Savall and his ensembles pay a tribute to a place that fully profited from its privileged links with the Orient while hosting geniuses like Monteverdi, Gabrieli and Vivaldi. As you have come to expect from Alia Vox, this CD-book is lavishly illustrated and documented.

Format : CD-book deluxe - 2 hybrid multichannel SACD

Booklet : English, French, German, Italian, Castilian, Catalan

Venezia Millenaria is as kaleidoscopic as the city itself, Venice’s trademark cosmopolitanism reflected in Savall’s augmenting of his home team(s) with Ensemble Panagiotis Neochoritis, and an East-meets-West musical bazaar where western instruments rub up against santur, oud and duduk…No-one who loves Venice (or Savall’s boundless, creative curiosity) can be without this life-enhancing, utterly intoxicating release. BBC ****

The characterful instrumental playing of Savall and his colleagues is reflected throughout in the vocal numbers, where colour and drama are prized above beauty, singers captured as though overheard by an anthropologist rather than engineered by a producer. The effect is wonderfully immediate – a snapshot not just of a city but of a spirit of music-making that Savall has pioneered. Gramophone

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	Venezia Millenaria (Venice 700-1797) (2SACD+Book) Le Concert des Nations / Hespèrion XXI / La Capella Reial de Catalunya / Ensemble Panagiotis Neochoritis / Savall, Jordi

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