Rimsky-Korsakov described Taneyev’s best music as possessing ‘a wealth of beauty and expressiveness’, a verdict with which no one is likely to disagree after hearing the piano trio recorded here. Rimsky was (unjustly) disparaging towards his own, unfinished, trio, which emerges as a brooding, substantial work well worthy of revival.
[The Leonore Piano Trio] are fine interpreters…[they] evoke the rainbow colours and myriad shapes [of the Rimsky-Korsakov], moving quickly from dark and expansive (first movement) to slithers of iridescence (second movement). Horton brings an uneasy sense of trepidation to the third movement, foreshadowing the bittersweet piano solo in the finale. BBC ****