• PAS1056 Katalognummer
  • 5425004840561 EAN
  • CD Format
  • 2018 Utgivelsesår

Les Sonadori

Delafosse, Anne (soprano) | Boquet, Pascale (lute) | theorbe | Linüion, Beatrice | Edouard, Odile | Sansarlat, Nicolas | Gervreau, Alain | Oudenhove, Sarah van | Douchy, Herve

Palestrina, Giovanni Pierluigi da | Ortiz, Diego | Lasso, Orlando di | Rore, Cipriano de | Bassano, Giovanni | Certon, Pierre | Willaert, Adrian | Layolle, Francesco da | Crecquillon, Thomas | Galbucci, G.C. | Bovicelli, G.B. | Jarzebski, Adam | Cima, Giovanni Paolo | Caccini, Giulio | Frescobaldi, Girolamo | Jeune, Claude le

Les Sonadori



Palestrina, Giovanni Pierluigi da: Pulchra es amica mea
Ortiz, Diego: Recercares primera & segunda on O felci occhi miei by Arcadelt, Jacques
Palestrina, Giovanni Pierluigi da: Deh or fass`io
Lasso, Orlando di / Bassano, Giovanni: Susanna un giur
Rore, Cipriano de / Bassano, Giovanni: Ancor che col partire
Certon, Pierre: Reviens vers moy
Palestrina, Giovanni Pierluigi da: Vestiva i colli
Willaert, Adrian: O salutaris hostia
Palestrina, Giovanni Pierluigi da / Bassano, Giovanni: Vestiva i colli
Layolle, Francesco da / Maffei, Giovanni Camillo: Lascar`il vela
Crecquillon, Thomas: Petite camusette
Galbucci, G.C. / Bovicelli, G.B.: Magnificat del second tano
Jarzebski, Adam: Cantate Domino
Cima, Giovanni Paolo: Sonata a 4
Caccini, Giulio: Sfagava con le stelle
Frescobaldi, Girolamo: Canzon quintadecima, detta la Lievaratta a due Bassi
Jeune, Claude le: Susanna un jour

Velg antall  


The most beautiful polyphonic canzoni, chansons, motets and madrigals, were used like today’s pop standards in the 16th century; musicians would improvise on them, tailoring their playing and imagination to each other.  The colourful and varied selection of works on this recording is made up of different combinations of voices and instruments. A special aspect, a kind of renaissance violin band stands at the centre of this project: ensembles of violins were generally used to accompany certain moments in the Mass, at banquets, receptions, princely entertainments, entries into cities and palaces, diplomatic negotiations and sacred and secular processions as well as the long hours of dancing that followed the evening meal in northern Italy from the 1530s onwards, until the 1580s and 1590s announced the arrival of the new baroque style.  The word Sonadori, the name of the ensemble, is Venetian in origin; the Scuole Grandi or confraternities there employed full-time ensembles of singers and musicians. The confraternity of San Rocco was the first to replace the older instruments such as the fiddle, harp and lute with sonadori nuovi – new players – of the violin in 1531.


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