Gramophone Awards 2011 Shortlisted - Instrumental
Gramophone Magazine December 2010 Editor's Choice
Schubert is unusual and indeed unique among composers in that some of his greatest works are written for piano duet. He wrote as much music for duet as for solo piano, and reaches emotional depths which take this repertoire far away from its domestic origins. The most celebrated of these pieces, the Fantasie in F minor, with its austere yet heartbreaking opening melody and dramatic double fugue, is one of the great piano achievements of the early 19th century. The rest of the works on this disc are much less well-known but equally fascinating.
Who better to commit these works to disc than two of the brighest stars in the British piano scene, Paul Lewis and Steven Osborne? As well as their individual achievements, they also have a long-standing friendship and performing relationship which you will hear reflected in their magisterial performances on this marvellous disc.
Though Paul Lewis and Steven Osborne may not immediately appear stylistically empathetic artists, let me not to the marriage of true minds admit impediments. In this repertoire they are as one, touch and tone indistinguishable from one another, playing with a delicious fluency and obvious affection...this is a Schubert disc to return to and live with. Gramophone
From the opening thunderclap of 'Lebensstürme' it is clear that great things are in store...No-one with a taste for superlative, passionately committed music-making, ensemble of the highest calibre or some of Schubert's most beautiful music can afford to miss this one. Int. Record Review
Two of Britain's finest younger pianists work wonders with the marvels of Schubert's inner landscape...Here are two friends loving every moment of their joint effort. Schubert might have cheered. Classic fm *****
The Lewis-Osborne duo establishes a slyly (or should that be shyly?) wistful mood in the Andante varie in B minor, revels in the bravura writing of the Variations in A flat...and transforms the severity of the Fugue in E minor into something ennobling. Such playing suggests that they have found the key to conveying Schubert's magical world of shadows and sunlight. BBC ****