• ELQ4820506 Katalognummer
  • 028948205066 EAN
  • CD Format
  • 2015 Utgivelsesår

Malcolm, George

Scarlatti, Domenico | Bach, Johann Sebastian



Bach, Johann Sebastian:
Italian Concerto, BWV971
Chromatic Fantasia & Fugue in D minor, BWV903

Scarlatti, Domenico:
Keyboard Sonata K146 in G major
Keyboard Sonata K33 in D Major
Keyboard Sonata K24 in A major
Keyboard Sonata K9 in D minor
Keyboard Sonata K544 in B flat major
Keyboard Sonata K505 in F Major
Keyboard Sonata K132 in C major
Keyboard Sonata K169 in G major
Keyboard Sonata K202 in B flat major
Keyboard Sonata K519 in F minor
Keyboard Sonata K380 in E major
Keyboard Sonata K245 in B major
Keyboard Sonata K8 in G minor
Keyboard Sonata K322 in A major
Keyboard Sonata K29 in D major
Keyboard Sonata K125 in G major


George Malcolm (harpsichord)


George Malcolm, who died in 1997, irreverently called the harpsichord the ‘jangle box’, yet he was a master of that instrument, and of several other musical domains as well. Of Scottish ancestry, he was born in London in 1917, and when he was just seven he was admitted to the Royal College of Music. He also excelled at the organ and at the piano (his first keyboard instrument), and as a choral conductor, he served as Master of Music at Westminster Cathedral, beginning in 1947. Pianist András Schiff, who recorded with Malcolm on several occasions, commented that he ‘was a great musician, a Renaissance man, a wonderful human being. He has been influential in the development of choral and instrumental music in Britain and abroad, and l consider myself one of the fortunate recipients of his immense knowledge, broad culture, and excellent taste. He should never be forgotten.’ In 1965 Malcolm was made Commander of the Order of the British Empire.

Although from an earlier age of Baroque performance practice, these recordings have a vividness and freshness that leap out of the speakers more than sixty years after they were made. They receive their first reissue on Decca CD.

“George Malcolm clearly delights in playing with colours […] this disc will prove very rewarding: the sheer technical brilliance of the playing … and the faultless rhythmic control make these performances outstanding” Gramophone (Scarlatti)

“‘Malcolm’s outlook on the Fantasia gives us new insight into its poetical and meditative aspects; he plays it as if he were in rapt contemplation of the quintessential Bach. […] The Italian Concerto, too, gains a new lease of life in this altogether splendid version. […] This is a disc which should form part of every Bach lover’s collection.” Gramophone (Bach)


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