• VIVAT112 Katalognummer
  • 797776125814 EAN
  • CD Format
  • 2016 Utgivelsesår

Artist
Martineau, Malcolm

Medvirkende
Schade, Michael | Anderson, Lorna | Schwartz, Sylvia | Boesch, Florian | Murray, Ann

Komponist
Schubert, Franz | Beethoven, Ludwig van | Gail, Sophie | Garat, Joseph Dominique Fabry | Sor, Fernando | Tomásek, Vaclav Jan Krtitel | Viotti, Giovanni Battista | Weber, Carl Maria von

Plateselskap
Vivat

Verk

Beethoven:
Wonne der Wehmut, Op. 83 No. 1 - Michael Schade (tenor)
Sehnsucht, Op. 83, 2 - Michael Schade (tenor)
Mit einem gemalten Band Op. 83, No. 3 - Michael Schade (tenor)
Abendlied unter'm gestirten Himmel, WoO 150 - Michael Schade (tenor)

Gail: Bolleros - Lorna Anderson (soprano)
Garat, J: Plainte à Hortense - Lorna Anderson (soprano)

Schubert:
Der Blumenbrief D622 (Schreiber) - Michael Schade (tenor)
Die Sommernacht, D289 (Klopstock) - Michael Schade (tenor)
Taglich zu singen, D533 (Claudius) - Michael Schade (tenor)
An den Mond, D193 - Michael Schade (tenor)
Freude der Kinderjahre D455 (Köpken) - Sylvia Schwartz (soprano)
Wiegenlied D304 (Korner) - Sylvia Schwartz (soprano)
Das Heimweh, D456 (Winkler) - Michael Schade (tenor)
Seligkeit D433 (Holty) - Michael Schade (tenor)
Der Fischer, D225 (Goethe) - Michael Schade (tenor)
Erster Verlust, D226 (Goethe) - Michael Schade (tenor)
An den Mond, D259 (Goethe) - Michael Schade (tenor)
Wandrers Nachtlied I 'Der du von dem Himmel bist', D224 - Michael Schade (tenor)
Rastlose Liebe, D138 - Michael Schade (tenor)
Ganymed, D544 (Goethe) - Michael Schade (tenor)
Wer kauft Liebesgotter?, D261 (Goethe) - Sylvia Schwartz (soprano)
Das Grab D569 (Salis-Seewis) - Florian Boesch (baritone)

Sor:
De Amor en las Prisiones - Sylvia Schwartz (soprano)
Las Mujeres y Cuerdas - Sylvia Schwartz (soprano)
Mis Descuidados Ojos - Sylvia Schwartz (soprano)

Tomásek:
Nahe des Geliebten, Op. 53 No. 2 - Michael Schade (tenor)
An die Entfernte, Op. 55 No. 1 - Michael Schade (tenor)
Schafers Klagelied, Op. 56 No. 1 - Michael Schade (tenor)
Rastlose Liebe, Op. 58 No. 1 - Michael Schade (tenor)

Viotti:
Stanco di pascolar - Ann Murray (mezzo)
Privez l'amour - Ann Murray (mezzo)

Weber: Abschied vom Leben - Michael Schade (tenor)

 

Velg antall  

Produktbeskrivelse

The first volume in a major new recording series across which a host of world-renowned singers draw listeners, decade by decade, through a century of song, from 1810 to 1910. Each volume features a perfectly planned, varied programme performed by household names, whilst the series overall creates a comprehensive survey of song right through the nineteenth century – an invaluable teaching asset, as well as a joy for listeners.

The opening volume, 1810-1820, includes songs from Austria, Bohemia, France, Germany, Italy and Spain, by Franz Schubert, Fernando Sor, Ludwig van Beethoven, Joseph Fabry-Garat, Sophie Gail, Václav Tomášek, Giovanni Battista Viotti, and Carl Maria von Weber.

Singers in this first volume include the distinguished Canadian tenor Michael Schade, sopranos Lorna Anderson and Sylvia Schwartz, mezzo Dame Ann Murray and bass Florian Boesch, accompanied by the series’ creator, pianist Malcolm Martineau.

Singers for volumes 2 & 3 (released at 4-monthly intervals) include Sarah Connolly, John Mark Ainsley, Christina Gansch, Anush Hovhannisyan, Christopher Maltman and Angelika Kirchschlager, with further stars of today – and of the future – appearing in future volumes.

Extensive presentation includes 72-page booklet with authoritative liner note in three languages by renowned song expert and series consultant Prof Susan Youens, with full texts and translations, together with session photographs.

“Schade is always an involved, communicative singer, eagerly responsive to mood and verbal detail, and excelling in tenderness and intimacy…the diamond-bright Spanish-English soprano Sylvia Schwartz also makes her mark, finely sustaining the high tessitura of the rapt ‘Wiegenlied’…Malcolm Martineau’s luminous touch and rhythmic point are priceless assets throughout” Gramophone

“The start of a remarkable project, allowing the listener to roam a century of European song, intelligently curated and artfully performed” Classical Music

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