The Pera Ensemble, the recipient of enthusiastic critical reactions on account of its “refined mixture of fragrances and flavours” and “a two-way exploration and enrichment of soundscapes”, takes its name from a district of Istanbul which has been a melting pot of cultures and religions for more than two millennia. This diversity is also reflected in the makeup of the group, where well-known specialists in European historical performance rub creative shoulders with leading representatives of Middle Eastern art music. This cultural adventure, directed by Mehmet C. Yeşilçay, is set on wresting related early music out from behind closed museum doors in order to stimulate strong sensations and emotions.

Offered up on this album is a cultural panoply as presented by Jerusalem. With it the Pera Ensemble brings demonstrations of soundscapes from another time, in which the full exuberance of early Middle Eastern Baroque is mirrored in the care taken over questions regarding sources and instrumentation. Jerusalem, that rendezvous, is the city of peace, despite all the conflicts – and bridges need to be built to span across all the supposed disagreement. Dialogue has always been facilitated by two factors: food and music. Where Eastern cuisine finds plenty of its creative ideas in spices and exotic ingredients, the Pera Ensemble strives to integrate a parallel philosophy into its programmes.

Piyyutim (in Hebrew, naturally), Eastern timbres, the whole mixed into a Baroque framework in sound. Music from Medieval Spain, Baroque music, Sephardic music, Eastern music. All with a zestful Turkish character.


Traditional: Adon Haslihot; Morenica; Maoz-Tzur; Halleluya avdei Adora; Rossi, Salomone: Gagliarda Norsina; Vogelweide, Walter von der: Palastinalied; Sances, Giovanni Felice: Stabat Mater; Landi, Stefano: Dirindin (from: Il Sant´Alessio); Pallavicino, Carlo: Sinfonia – in amor (from: Gerusalemme liberata); Legrenzi, Giovanni: Belta (from: Il Giustino); Handel, Georg Frideric: Scherzano sul tuo volto (from: Rinaldo); Marcello, Benedetto: Della vita (from: Salma Decimoquinto); Caldara, Antonio: Ahil Come quella (from: Sedecia); Traditional: Neva Ceng-i; Gazel (vocal improvisation); Aga, Yeuda & Ebu Bekir: Ye´oru libbi/Nühüft Yürük Semai;


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På Marianne Beate Kielland og Nils Anders Mortensens nye plate – deres åttende i rekken på LAWO Classics – får vi høre tre av Mahlers viktigste sang-sykluser: «Rückert-Lieder», «Kindertotenlieder» og «Lieder eines fahrenden Gesellen». 

Songs: Kielland / Dørumsgaard - Kielland, Marianne Beate (mezzosopran) / Mortensen, Nils Anders (piano)

Det er en fascinerende stor skatt av sanger som ligger på Nasjonalbiblioteket – stort sett fullt tilgjengelig, men lite brukt. To av navnene som finnes der er Olav Kielland og Arne Dørumsgaard, begge komponister fra forrige århundre, som lot seg inspirere av folkemusikken. 

Terra Nova - Marianne Beate Kielland / Jan Gunnar Hoff

SJANGEROVERSKRIDENDE SANGER To av Norges mest profilerte utøvere innen sitt felt – sanger Marianne Beate Kielland og jazzpianist Jan Gunnar Hoff – skaper sitt eget klanglige univers med utgivelsen «Terra Nova». 


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Jerusalem <span>-</span> Pera Ensemble | Yesilcay, Mehmet C. Jerusalem Pera Ensemble | Yesilcay, Mehmet C.

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