• ACC24317 Katalognummer
  • 4015023243170 EAN
  • CD Format
  • 2016 Utgivelsesår

Artist
Perl, Hille | Heumann, Friederike

Medvirkende
Santana, Lee | Freimuth, Michael

Komponist
Allison, Richard | Daniel, John | Ferrabosco II, Alfonso | Holborne, Antony | Jenkins, John | Lawes, William

Plateselskap
Accent

Verk

Why not here - Music for two Lyra Viols:

Allison, Richard:
Goe from my Window
Daniel, John:
Passymeasures
A Fancy
Ferrabosco II, Alfonso:
Alman
Galliard
Coranto
The Spanish Pavan
Ford, Thomas:
Musicke of Sundrie Kindes: Pavan and Galiard (M. Maines Choice)
Forget me not
The Baggepipes (Sir Ch. Howards delight)
Why not Here, m. Crosse his Choice
Cate of Bardy
A Paven - Sir Richard Westons delight
An Almaine M. Westovers farewell
Whipit and Tripit - M. Southcotes Jig
Holborne, Antony:
Goe from my window
Jenkins, John:
Fantasia
Lawes, William:
Pavane
Aire

 

Produktbeskrivelse

Around 1600 composers of English music for viols followed a specific style direction known as lyra viol music. From the time between 1601 and 1692, 18 printed sources as well as more than 50 manuscripts sources have survived to the present day. The lyra viol is not primarily a different instrument, to be distinguished from a normal viol, but the term rather refers to a style of playing: the art of playing “lyraway” as the title pages of many of the sources indicate. The main characteristics of this kind of playing are the use of the chordal playing, implied polyphony with a changing number of voices, the use of plucked strings as well as bowed sounds and the use of a multitude of different tuning systems (scordatura): in the sources we find almost 60 different ways of tuning the viol. A small bass viol or a large tenor would be generally used for this kind of playing. It became the solo bowed instrument par excellence during the course of the 17th century.

Friedricke Heumann and Hille Perl began playing as a duo during the solar eclipse of the year 1999 in Paris. Their speciality is incredible music for two viols.

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