Sergei Vasilyevich Rachmaninov: The Pianist - Rachmaninov, Sergei (piano) | lawostore.no - din nettbutikk for klassisk musikk!

Sergei Vasilyevich Rachmaninov: The Pianist <span>-</span> Rachmaninov, Sergei (piano)

PACL95002 Katalognummer
5055354409028 EAN
1CD Format
1921-1940/2021 Utgivelsesår

Ensemble
Philadelphia Orchestra

Sjanger
Instrumental Orkester

Plateselskap
Parnassus

Verk

      Sergei Vasilyevich Rachmaninov: The Pianist

[1] Sergei Rachmaninov: Prelude C-sharp minor (Morceaux de Fantaisie, op.3/2) (4/1928)       3:41
[2] Sergei Rachmaninov: Prelude, op.32/6 in F minor: Allegro appassionato (3/1940)           1:19
[3] Ludwig van Beethoven: Variations on Original Theme in C minor, WoO 80 (excerpts) (4/1924 to 5/1925) 7:53
[4] Fryderyk Chopin: Ballade no.3 in A-flat major, op.47 (13/4/1925)   7:21
[5] Fryderyk Chopin: Waltz no.7 in C-sharp minor, op.64 no.2 (5/4/1927) 3:37
[6] Fryderyk Chopin: Waltz no.8 in A-flat major, op.64 no.3 (5/4/1927) 2:46
[7] Felix Mendelssohn’s ’Scherzo’ (A Midsummer Night’s Dream op.61) Arr. for piano Rachmaninov, 1933 (23/12/1935) 3:59
[8] Nikolay Rimsky-Korsakov’s ’Flight of the Bumblebee’ ('The Tale of the Tsar Sultan') arr. for piano Rachmaninov, 1929 (4/1929) 1:10
[9] Pjotr Tchaikovsky: Troïka (The Seasons, op.37a X1)(11/4/1928)    3:54
[10] Carl Tausig: Valse-Caprice no. 2 (Nouvelle soirées de Vienne) for piano: ‚Man lebt nur einmal’ (after Johann Strauss Jr, op.167) (4/1927) 6:57
[11] Fritz Kreisler’s ’Liebeslied’ for piano, TN iii/5 (25/10/1921) (arr. Rachmaninov 1921 from Alt-Wiener Tanzweisen No.1) 4:19

Sergei Rachmaninov: Piano Concerto No.2 in C minor, op.118 [31:11]:
(with Philadelphia Orchestra / Leopold Stokowski (rec. 1929)
[12] 1. Moderato 9:46
[13] 2. Adagio sostenuto   10:37
[14] 3. Allegro scherzando 10:47

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Produktbeskrivelse

“His playing presents a delicious paradox... individualistic almost to the point of recreation, while so utterly natural, so profoundly honest, you could hardly imagine the music otherwise. [Beethoven Variations[: tautness of playing, absolute rhythmic security, burbling pianissimos, knife-edged sforzandos, artful rubato and unremitting sense of purpose ... delicate observations occur by the bar ... [trans-criptions]: (Mendelssohn; Rimsky-Korsakov; Tchaikovsky): scintillating, full of musical interest. His reworking of Liebesleid is extremely beautiful. [his own music] ... each sounds as if spontaneously improvised ... the C sharp minor Prelude retains its magic through perfect timing. That is perhaps where Rachmaninov remains most inimitable: it wasn't how he struck the keys that mattered, but when.” (Gramophone)

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