• RP014 Katalognummer
  • 5060179090139 EAN
  • CD Format
  • 2017 Utgivelsesår

Artist
Red Priest

Komponist
Biber, Heinrich | Telemann, Georg Phillip | Campra, André | Byrd, William | Nicholson, Richard | Mielczewski, Marcin | Anon | Handel, Georg Frederick | Vivaldi, Antonio

Ensemble
Red Priest

Plateselskap
Red Priest

Verk

Biber, Heinrich: Sonata No. 1 In A Major;

Telemann, Georg Phillip:
Largo From Concerto In E Minor Twv 52;
Presto From Concerto In E Minor Twv 52;

Campra, André: La Bohémienne From Les Fêtes Vénitiennes;
Byrd, William: Gypsies Round;
Nicholson, Richard: The Jews Dance;
Mielczewski, Marcin: Canzona;

Anon / Summerhayes:
Sweet Uhrovska;
The Village Is Burning;
Whistling 1;
The Reeds Are Breaking;
Whistling 2;
So Clasp To Your Heart That Lovely Dark Girl;

Handel, Georg Frederick /Summerhayes: Lascia Ch’io Czardas;
Vivaldi, Antonio: The Priest And The Gypsy (After Concerto In A Minor Rv356);
Anon / Summerhayes: Slow Road To Uhrovska;

 

Produktbeskrivelse

Telemann believed that a composer could gain a lifetime’s inspiration from gypsies’ improvisations, but exactly what gypsy music might be is hard to pin down. Whether it is Spanish, Romanian or Hungarian ‘gypsy’ tunes that we hear, musicologists from each country tell us that we are, in fact, enjoying the country’s own folk-tunes through the distorting prism of gypsy players. Jewish Klezmer music is also conflated with gypsy music: one of the earliest famous gypsy players was in fact a Jewish fiddler. The Roma themselves were recently pinned down by DNA evidence to having originated as a low caste tribe of musicians from Northern India called the Doma or Rom. Since they first appeared in 14th century Hungary, they spread through Europe, becoming must-have players for village dances, for aristocrats and for the courts. Although written source material is by its very nature limited, the Uhrovska Collecion – a Slovakian fiddler’s songbook from 1730 – provided a starting point for this disc, out of which we have explored, speculated and re-imagined the multilayered relationships between folk and court music.

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