• CDA68035 Katalognummer
  • 034571280356 EAN
  • 1CD Format
  • 2014 Utgivelsesår

Artist
Sampson, Carolyn (sopran) | Ex Cathedra | Skidmore, Jeffrey

Dirigent
Skidmore, Jeffrey

Komponist
Fiocco, Joseph Hector | Lacoste, Louis | Lalande, Michel-Richard de | Mondonville, Jean-Joseph Cassanea de | Rameau, Jean Philippe | Rousseau, Jean-Jacques

Ensemble
Ex Cathedra

Plateselskap
Hyperion

Verk

Fiocco, J H: A solis ortu (Part 3 of Laudate pueri)
Fiocco, J H: Alleluia (Part 4 of Laudate pueri)
Fiocco, J H: Laudate pueri (Part 1 of Laudate pueri)
Lacoste: Ah! quand reviendront nos beaux jours?
Lalande: Cantate Domino, S72
Lalande: Regna terrae (Movement 5 of Exsurgat Deus, S71)
Lalande: Sinfonie (Movement 1 of Te Deum laudamus, S32)
Lalande: Te Deum laudamus S32
Lalande: Tu rex gloriae (Movement 8 of Te Deum laudamus, S32)
Lalande: Viderunt omnes termini terrae (Movement 5 of Cantate Domino, S72)
Mondonville: Gasouillats auzeléts (Act 1 Scene 2 from Daphnis et Alcimadure)
Mondonville: Hodie si vocem (Movement 6 of Venite, exsultemus)
Rameau: Amour, lance tes traits (from Les fêtes de l'Hymen et de l'Amour)
Rameau: Castor et Pollux
Rameau: La Lyre Enchantée
Rameau: Platée
Rameau: Tristes apprêts (from Castor et Pollux)
Rousseau, J-J: Salve regina

Produsent
Peacock, Adrian

Tekniker
Hinitt, David

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Produktbeskrivelse

Gramophone Awards 2015 Winner - Recital
Gramophone Magazine July 2014 Editor's Choice

A welcome return of Carolyn Sampson and Ex Cathedra to Hyperion, performing the rich, fulsome music of the French Baroque. Their recording of love songs from Rameau’s operas (Hyperion CDA67447) was hugely acclaimed for Sampson’s stylish, fluid, seductive performances, and ten years later her artistry is even more dazzling.
This album is of particular interest as rather than concentrating on one composer it showcases the works written for the premiere soprano of the day, Marie Fel. Voltaire called her his ‘adorable nightingale’. For d’Aquin, she was an enchanted being. Marie Fel was the soprano who held an entire generation spellbound at the Paris Opéra and at Louis XV’s court during one of the most glorious periods of French music. With a voice described as ‘pure, charming, silvery’ (La Borde), ‘touching and sublime’ (Grimm) and ‘always lovely, always seductive’ (d’Aquin), she inspired some of Jean-Philippe Rameau’s finest music and introduced a whole new level of virtuosity and expression into the French singing tradition. Her long, triumphant career is traced through this fascinating recording.

Sampson is quite remarkable. She has the capacity to soften the vocal line with carefully controlled vibrato, but also deploys tone of crystalline clarity...bright, vibrant, responsive and entirely in tune with the expressive language and virtuosic demands of the period. BBC *****

don't be put off by the apparently recherche repertoire: this is a programme that leases as much today as it did in [Fel's]...the longer we listen to Sampson's voice, the more she seems to inhabit the aura of Fel...Sampson's performance is the more admirable for evoking the spirit of another singer. Start to finish, Jeffrey Skidmore devotedly shapes and paces the programme. Gramophone

Sampson is here in glorious voice. She turns ornaments with the exquisite skill of a master jeweller. The support from Skidmore and his excellent chorus and orchestra is unfailingly accomplished and idiomatic. It is difficult to envisage a more fitting tribute to one of the great divas of the past, a singer of whom her friend Voltaire said, ‘Those who have only ears, admire you; those with feeling as well as ears love you.’ Opera

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A French Baroque Diva - Arias for Marie Fel <span>-</span> Sampson, Carolyn (sopran) / Ex Cathedra / Skidmore, Jeffrey A French Baroque Diva - Arias for Marie Fel Sampson, Carolyn (sopran) / Ex Cathedra / Skidmore, Jeffrey

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