* * * Penguin Guide

  • ELQ4804727 Katalognummer
  • 028948047277 EAN
  • 2CD Format
  • 2016 Utgivelsesår

* * * Penguin Guide
Les mer

Sutherland, Joan

Bonynge, Richard

Diverse komponister

Ambrosian Light Opera Chorus | New Philharmonia Orchestra



Love Live Forever - The Romance of Musical Comedy

Fall, Leo:
Fraser-Simson, Harold:
Love Will Find A Way (from The Maid of the Mountains)
Friml, Charles Rudolf:
Indian Love Call (from Rose Marie)
German, Edward:
Tom Jones, Act III: For Tonight (Sophia's Waltz-Song)
Herbert, Victor August:
When you're away (from The Only Girl)
Heuberger, Richard Franz Joseph:
Gehen wir ins Chambre séparée (from Der Opernball)
Kern, Jerome:
And Love Was Born (from Music In The Air)
Make Believe (from Showboat)
Kreisler, Fritz:
Stars In My Eyes (from The King Steps Out)
Lehár, Franz:
Wär' es auch nichts als ein Augenblick (from Das Fabriksmädel)
Viljalied (from Die lustige Witwe)
Love, love for ever (from Paganini)
Massenet, Jules:
Air de Nina (from Chérubin)
Millöcker, Carl:
Die Dubarry: Die Dubarry
Posford, George:
At the Balalaika from Balalaika
Rodgers, Richard:
Falling in love with love (from The Boys from Syracuse)
Romberg, Sigmund:
Deep in my heart, dear
The Desert Song: The Desert Song
Straus, Oscar:
Leise, ganz leise klingt's durch den Raum (from Ein Walzertraum)
My Hero from The Chocolate Soldier
Strauss II, Johann:
Nun's Chorus from Casanova
Zeller, Carl Johann Adam:
Schenkt man sich Rosen in Tirol (from Der Vogelhändler)

Velg antall  


Light opera and musical theatre rub shoulders in this delightful compendium of favourites from the late-nineteenth and early-twentieth century favourites. With a few exceptions, such as Lehár’s Merry Widow, many of the operettas from which these songs and arias are taken are largely forgotten and seldom performed, but their ‘hits’ remain evergreen.This reissue includes the original sleeve notes by Ronald Hill that accompanied the original LP release.

“What is immediately obvious is Sutherland’s own delight in singing this music, an the accompaniments have matching infectious qualities, with Bonynge obviously entirely at home, providing the necessary light touch and idiomatic feeling for rubato. The sumptuous recording catches the glory of Sutherland’s voice to perfection against a sparkingly rich orchestral and vocal backing.” * * * Penguin Guide


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