• BIS2351 Katalognummer
  • 7318599923512 EAN
  • 1SACD Format
  • 2018 Utgivelsesr

Artist
Bach Collegium Japan | Suzuki, Masaaki (conductor)

Dirigent
Suzuki, Masaaki

Medvirkende
Sampson, Carolyn (soprano) | Blaze, Robin (counter-tenor) | Sakurada, Makoto (tenor) | Wrner, Dominik (bass)

Komponist
Bach, Johann Sebastian

Ensemble
Bach Collegium Japan

Sjanger
Vokal

Plateselskap
BIS

Verk

Bach, Johann Sebastian:

Angenehmes Wiederau, freue dich in deinen Auen, BWV30a:
1. Chorus. Angenehmes Wiederau…
2. Recitativo (Basso, Soprano, Alto, Tenore). So ziehen wir…
3. Aria (Basso).Willkommen im Heil, willkommen in Freuden…
4. Recitativo (Alto). Da heute dir, gepriesner Hennicke…
5. Aria (Alto). Was die Seele kann ergötzen…
6. Recitativo (Basso). Und wie ich jederzeit bedacht…
7. Aria (Basso). Ich will dich halten…
8. Recitativo (Soprano). Und obwohl sonst der Unbestand…
9. Aria (Soprano). Eilt, ihr Stunden, wie ihr wollt…
10. Recitativo (Tenore). So recht! ihr seid mir werte Gäste…
11. Aria (Tenore). So, wie ich die Tropfen zolle…
12. Recitativo (Soprano, Alto, Tenore, Basso). Drum, angenehmes Wiederau…
13. Chorus. Angenehmes Wiederau…

Ich bin in mir vergnügt, BWV204:
1. Recitativo. Ich bin in mir vergnügt…
2. Aria. Ruhig und in sich zufrieden…
3. [Recitativo]. Ihr Seelen, die ihr außer euch…
4. Aria. Die Schätzbarkeit der weiten Erden…
5. Recitativo. Schwer ist es zwar, viel Eitles zu besitzen…
6. [Aria]. Meine Seele sei vergnügt…
7. Recitativo e Arioso. Ein edler Mensch ist Perlenmuscheln gleich…
8. Aria. Himmlische Vergnügsamkeit…

Produktbeskrivelse

The two cantatas recorded here conclude a project that the Bach Collegium Japan and Masaaki Suzuki started in 2004, in which Bach’s secular cantatas formed the basis of numerous concerts and recordings. As the team completed recording the church cantatas in 2013, this means that BCJ’s performances of all of Bach’s extant cantatas – sacred and secular – are now available on disc. Out of what was originally a much larger number only a little more than twenty secular cantatas have survived in performable condition. These nevertheless offer a welcome complement to our image of Bach the church musician, and reveal a composer who approached secular music with the same artistic integrity that we find in his sacred music.

This final volume opens with the resplendent Angenehmes Wiederau from 1737 – a musical memorial to the manorial estate of Wiederau, south-west of Leipzig. Bach employs a full complement of three trumpets and timpani as well as four vocal soloists, in what is surprisingly modern-sounding music, influence by the dance-based music of the Dresden court. In contrast, Ich bin in mir vergnügt is an intimate work for solo soprano, flute, oboe and strings. Composed for an unknown occasion, the piece is a morality about the virtues of contentment, illustrated in music that gives Carolyn Sampson ample opportunity to shine.

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Bach, Johann Sebastian: Cantatas of Contentment -Secular Cantatas, Vol. 10 (BWV 30a, 204) <span>-</span> Bach Collegium Japan / Suzuki, Masaaki (conductor) Bach, Johann Sebastian: Cantatas of Contentment -Secular Cantatas, Vol. 10 (BWV 30a, 204) Bach Collegium Japan / Suzuki, Masaaki (conductor)

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