• BIS2000 Katalognummer
  • 7318599920009 EAN
  • 9SACD Format
  • 2014 Utgivelsesår

Brautigam, Ronald (fortepiano)

Beethoven, Ludwig van



Beethoven, Ludwig van:

Disc 1

Sonata No.1 in F minor, Op.2 No.1:
I. Allegro
II. Adagio
III. Menuetto. Allegretto
IV. Prestissimo

Sonata No.2 in A major, Op.2 No.2:
I. Allegro vivace
II. Largo appassionato
III. Scherzo. Allegretto
IV. Rondo. Grazioso

Sonata No.3 in C major, Op.2 No.3:
I. Allegro con brio
II. Adagio
III. Scherzo. Allegro
IV. Allegro assai

Sonata No.19 in G minor, Op.49 No.1:
I. Andante
II. Rondo. Allegro

Sonata No.20 in G major, Op.49 No.2:
I. Allegro, ma non troppo
II. Tempo di Menuetto

Disc 2

Sonata No.4 in E flat major, Op.7:
I. Allegro molto e con brio
II. Largo, con gran espressione
III. Allegro
IV. Rondo. Poco allegretto e grazioso

Sonata No.5 in C minor, Op.10 No.1:
I. Allegro molto e con brio
II. Adagio molto
III. Finale. Prestissimo

Sonata No.6 in F major, Op.10 No.2:
I. Allegro
II. Allegretto
III. Presto

Sonata No.7 in D major, Op.10 No.3:
I. Presto
II. Largo e mesto
III. Menuetto. Allegro
IV. Rondo. Allegro

Disc 3

Sonata No.8 in C minor, Op.13, Pathètique:
I. Grave - Allegro di molto e con brio
II. Adagio cantabile
III. Rondo. Allegro

Sonata No.9 in E major, Op.14, No.1:
I. Allegro
II. Allegretto
III. Rondo. Allegro comodo

Sonata No.10 in G major, Op.14, No.2:
I. Allegro
II. Andante
III. Scherzo. Allegro assai

Sonata No.11 in B flat major, Op.22:
I. Allegro con brio
II. Adagio con molto espressione
III. Minuetto
IV. Rondo. Allegretto

Disc 4

Sonata No.12 in A flat major, Op.26:
I. Andante con variazioni
II. Scherzo. Allegro molto
III. Marcia funebre sulla morte d’un Eroe
IV. Allegro

Sonata No.13 in E flat major, Op.27 No.1:
I. Andante – Allegro (attacca)
II. Allegro molto e vivace (attacca)
III. Adagio con espressione (attacca)
IV. Allegro vivace – Presto

Sonata No.14 in C sharp minor, Op.27 No.2 ‘Mondschein’:
I. Adagio sostenuto (attacca)
II. Allegretto
III. Presto agitato

Sonata No.15 in D major, Op.28 ‘Pastorale’:
I. Allegro
II. Andante
III. Scherzo. Allegro vivace
IV. Rondo. Allegro ma non troppo

Disc 5

Sonata No.16 in G major, Op.31 No.1:
I. Allegro vivace
II. Adagio grazioso
III. Rondo. Allegretto

Sonata No.17 in D minor, Op.31 No.2, ‘Der Sturm’:
I. Largo – Allegro
II. Adagio
III. Allegretto

Sonata No.18 in E flat major, Op.31 No.3:
I. Allegro
II. Scherzo. Allegretto vivace
III. Menuetto. Moderato e grazioso
IV. Presto con fuoco

Disc 6

Sonata No. 21 in C major, ‘Waldstein’, Op. 53 (1803–04):
I. Allegro con brio
II. Introduzione. Adagio molto (attacca subito il Rondo)
III. Rondo. Allegretto moderato – Prestissimo

Sonata No. 22 in F major, Op. 54 (1804):
I. In Tempo d’un Menuetto
II. Allegretto – Più Allegro

Sonata No. 23 in F minor, ‘Appassionata’, Op. 57 (1804–05):
I. Allegro assai
II. Andante con moto (attacca l’Allegro)
III. Allegro ma non troppo – Presto

Sonata No. 24 in F sharp major, Op. 78 (1809):
I. Adagio cantabile – Allegro ma non troppo
II. Allegro vivace

Sonata No. 25 (Sonatine) in G major, Op. 79 (1809):
I. Presto alla tedesca
II. Andante
III. Vivace

Disc 7

Sonata No. 26 in E flat major, Op. 81a ‘Das Lebewohl’:
I. Das Lebewohl (Les Adieux)
II. Abwesenheit (L’Absence)
III. Das Wiedersehen (Le Retour)

Sonata No. 27 in E minor, Op. 90 (1814):
I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
II. Nicht zu geschwind und sehr singbahr vorgetragen

Sonata No. 29 in B flat major, Op. 106 ‘Große Sonate für das Hammerklavier’:
I. Allegro
II. Scherzo. Assai vivace
III. Adagio sostenuto
IV. Largo – Allegro risoluto – Fuga

Disc 8

Sonata No. 28 in A major, Op. 101 (1816):
I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto, ma non troppo)
II. Lebhaft. Marschmäßig (Vivace alla Marcia)
III. Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto)
IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit (Allegro)

Sonata No. 30 in E major, Op. 109 (1820):
I. Vivace, ma non troppo
II. Prestissimo
III. Gesangvoll, mit innigster Empfindung

Sonata No. 31 in A flat major, Op. 110 (1821):
I. Moderato cantabile molto espressivo
II. Allegro molto
III. Adagio ma non troppo – Fuga: Allegro ma non troppo

Sonata No. 32 in C minor, Op. 111 (1821–22):
I. Maestoso – Allegro con brio ed appassionato
II. Arietta (Adagio molto semplice e cantabile)

Disc 9

Sonata WoO47 No. 1 in E flat major:
I. Allegro cantabile
II. Andante
III. Rondo vivace

Sonata WoO47 No. 2 in F minor:
I. Larghetto maestoso – Allegro assai
II. Andante
III. Presto

Sonata WoO47 No. 3 in D major:
I. Allegro
II. Menuetto sostenuto – [6 variations]
III. Scherzando. Allegro, ma non troppo

Zwei Sätze einer Sonatine, WoO50:
II. Allegretto

Leichte Sonatine, Kinsky-Halm Anh. 5, No. 1 in G major:
I. Moderato
II. Romanze

Leichte Sonatine, Kinsky-Halm Anh. 5, No. 2 in F major:
I. Allegro assai
II. Rondo. Allegro

Leichte Sonate C-Dur, WoO51:
I. Allegro
II. Adagio

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Choc, Classica

“There’s no point making a list of highlights as there are no weak performances here; just choose a favourite Beethoven Sonata and hear it refreshed, revitalised and illuminated. …the recordings are impeccable.” BBC Music Magazine; “The playing is sensational. …Brautigam’s late sonatas are never less than masterful…” Gramophone

The 32 Piano Sonatas by Ludwig van Beethoven are often referred to as the ‘New Testament’ of the keyboard literature, following on the ‘Old Testament’ of J.S. Bach's 48 preludes and fugues in the Well-Tempered Clavier. Composed over a period of almost three decades, from 1795 to 1822, the sonatas constitute a fascinating panorama of an artistic career which underwent numerous changes – not to say upheavals – but nevertheless remained remarkably consistent. Ever since the first recording of the entire cycle, by Artur Schnabel in the 1930s, a number of the world's leading pianists have given us their performances of this monumental collection on disc. One of the latest cycles is that of Ronald Brautigam, released on single discs between 2004 and 2010. Performed on the fortepiano, as part of a series of Beethoven's complete solo keyboard works, Brautigam's recordings have been described as ‘riveting’, ‘compelling’ and ‘revolutionary’. The eight discs with the 32 sonatas are now being released as a boxed set, along with a ninth disc containing the early, unnumbered sonatas. Contributing factors to the ‘refreshing directness’ that reviewers have experienced in these performances are the widely praised recorded sound and the carefully selected instruments, built by Paul McNulty after originals from 1788-1819 by the foremost Viennese makers of fortepianos. For this boxed set, the original SACD format has been retained – along with the possibility of listening to the performances in surround – thus offering the opportunity of sharing the experience of one reviewer: ‘One has almost the impression of being a contemporary of Beethoven’s: one of the first, infinitely startled – not to say shocked – witnesses to this music’ (Süddeutsche Zeitung).


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