• CCSSA26509 Katalognummer
  • 723385265092 EAN
  • 1SACD Format
  • 2009 Utgivelsesår

Artist
Cooper, Gary (piano)

Komponist
Haydn, Joseph

Sjanger
Instrumental

Plateselskap
Channel

Verk

Haydn, Joseph:

Piano Sonata No. 58 in C major, Hob.XVI:48:
I. Andante con espressione
II. Rondo, Presto

Variations on 'Gott erhalte Franz, den Kaiser' in G major (after Hob.III / 77ii)

Piano Sonata No. 59 in E flat major, Hob.XVI:49:
I. Allegro
II. Adagio e cantabile
III. Finale, Tempo di Minuet

Andante & Variations in F minor, Hob.XVII:6 (Sonata - un piccolo divertimento)

Piano Sonata No. 62 in E flat major, Hob.XVI:52:
I. Allegro
II. Adagio
III. Finale, Presto

Produktbeskrivelse

Gary Cooper is now established as one of the foremost ambassadors of the harpsichord and fortepiano - in particular, as an interpreter of Bach’s & Mozart’s keyboard music – and as a director of period performance in concert, and in opera. Gary is ‘Artist in Residence’ of the exciting Belgian period instrument ensemble, B’Rock, directing orchestral and opera productions, recordings, and is guest artistic director of a new festival in Bruges. This coming season, Gary appears at major festivals such as the Flanders Festival, the Bruges, Utrecht, Potsdam and Innsbruck Early Music Festivals and throughout the UK.

The Duo partnership of Gary Cooper with Rachel Podger has taken them worldwide. Their recordings, with Channel Classics, of Mozart’s Complete Sonatas for Keyboard & Violin has received countless awards and accolades, including multiple Diapason d’Or awards and Gramophone Editor’s Choices, and hailed as ‘benchmark’ recordings.

"The inspiration for this recording was derived from that all-too-rare occurrence: a perfect marriage of instrument and composer's music. The language of Haydn's later keyboard writing, containing such infinitesimal subtlety of expression, inflection, dynamic range, colour, and every mood under the sun, from tempest to sunny wit, seems to me perfectly matched by the gem of a piano used for this recording,dating from Vienna c.1785. In truth, I have never encountered an instrument capable of such breadth of touch and response from this period: to my mind, Haydn's last, and greatest, keyboard works, richly deserve being heard on such a piano, in order that the fullest range of expression and depth of imagination contained in these remarkable pieces may be brought alive.” Gary Cooper

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