• NEOS11521 Katalognummer
  • 42600631152219 EAN
  • SACD Format
  • 2016 Utgivelsesår

Artist
oenm (österreichisches ensemble für neue musik)

Medvirkende
Kalitzke, Johannes | Henschel, Dietrich | Sigl, Peter

Komponist
Ruzicka, Peter

Plateselskap
Neos

Sporliste

Ruzicka, Peter: crossing the border:

1. …JE WEITER ICH KOMME, UM SO MEHR FINDE ICH MICH UNFÄHIG, DIE IDEE WIEDERZUGEBEN… 09:33
Homage for chamber ensemble (2012)

2. “…DER DIE GESÄNGE ZERSCHLUG…” 19:22
Stele for Paul Celan after Poems from “Zeitgehöft”
for baritone and chamber ensemble (1985)

3. …ÜBER DIE GRENZE 24:37
Concerto for violoncello and chamber orchestra (2010)

4. STURZ 16:40
String Quartet No. 5 (2013)

Produktbeskrivelse

“Music has to learn how to sing again“ – this was Ruzicka’s formulation as a way out of a creative crisis around 1980.

Peter Ruzicka composed the works on this CD during three different creative periods. The cantata “…DER DIE GESÄNGE ZERSCHLUG” (Who Shattered the Songs) was created halfway along the path towards his first opera CELAN. Alongsi-de the violin concerto …INSELN, RANDLOS… (Islands, Edgeless) and the or-chestral piece …VORGEFÜHLE… (Presentiments) it marks a significant predilec-tion, in terms of both musical language and structure, for staged music. STURZ (Plunge) was written between the CELAN opera and its successor, the music theatre HÖLDERLIN, and went into the music of the second stage work via several meta-morphoses. The cello concerto …ÜBER DIE GRENZE (Crossing the Border), closely related to the ensemble piece TRANS, explored the expressive und structural terrain for a new opera before either its essential content or working title were known. Meanwhile BENJAMIN has been completed and awaits its world premiere planned for 2018.

The oenm . österreichisches ensemble für neue musik has dedicated itself to the performance of contemporary music for over 40 years and has estab-lished itself internationally as one of the leading ensembles of its kind. With over 300 world premieres since its founding and regular par¬ticipation at numerous major festivals, the ensemble residing in Salzburg has mean-while become indispensible on the world’s great concert stages.

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