Maw’s most fervent desire was to communicate directly with his audiences and produce material which performers would enjoy playing and Spring Music, written with the express purpose of diverting and entertaining an audience, finds the composer at his most uninhibited and freely expressive. Fresh, colourful and vibrant, this score has the exotic, open-hearted spirit of a curtain-raiser by William Walton or Alan Rawsthorne. In its final, slimmed-down version, it rapidly became one of Maw’s favourite pieces among his own output and he once described the long-breathed cello-led melody as ‘one of the best tunes I think I’ve actually ever written’.
Described by Andrew Burn as ‘a major contribution to the genre’, the Sonata for Solo Violin was requested by Jorja Fleezanis, to whom the work is dedicated. In Maw’s Sonata for Solo Violin, the constraints of writing for a single stringed instrument in a four-movement, large-scale work are deftly surmounted by the composer’s gift for melodic lines and rhythmic invention. Each movement has a vivid