Constantijn Huygens: Pathodia Sacra et Profana (Paris, 1647) - Auvity, Cyril (tenor) / Rhijn, Marie van (harpsichord/organ/lautenwerk) / Rignol, Myriam (viola da gamba)

Constantijn Huygens: Pathodia Sacra et Profana (Paris, 1647) - Auvity, Cyril (tenor) / Rhijn, Marie van (harpsichord/organ/lautenwerk) / Rignol, Myriam (viola da gamba)

Pris: 189 kr

Produktinformasjon

  • Constantijn Huygens (1596-1687): French airs, Italian arie, Psalm settings in Latin and instrumental pieces by Chambonnières, Rossi, Froberger and Huygens
  • GCD923603 Produktnummer:
  • Auvity, Cyril (tenor) / Rhijn, Marie van (harpsichord/organ/lautenwerk) / Rignol, Myriam (viola da gamba) Produsent:
  • CD Format:
  • 2020 Produksjonsår:
  • http://lawostore.no/vare/19377Forkortet URL:

Produktbeskrivelse

 

The surviving musical edition of Dutch Golden Age “Renaissance Man”, Constantijn Huygens receives a fresh new recording – issued on Glossa – from a singer who has become a connoisseur of vocal music from the seventeenth century: Cyril Auvity.
The remarkable Huygens, alive for much of that century, was a poet, composer and musician whose “day job” was as a diplomat working for the Princes of Orange and who was an assiduous correspondent with leading thinkers such as Descartes, Rubens and Corneille. Huygens’ Pathodia sacra et profana encompasses a collection of songs in Italian, French and Latin whose simplicity belies the complexity of the emotions carried within them.
Those emotions are admirably conveyed by a singer whose inquisitive musical intellect takes him down less frequented paths (such as two previously issued Charpentier albums on Glossa), and whose voice is rich and coloured and employed with a mastery of line. Singer and instrumentalists on this new recording have decided to record all the French airs from the Pathodia as well as an extensive selection of the Italian arie and Latintexted Psalm settings.
Reflecting the contemporary performances of such works by wealthy amateurs in the Dutch Republic, Myriam Rignol plays viola da gamba whilst Marie van Rhijn plays harpsichord, positive organ and the enigmatic Lautenwerck (a luteharpsichord). Each of these instruments is additionally given an opportunity to be heard in solo music from Huygens’ time.